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2017
A Little Winter Flower for koto, violin, and double bass - first performance; March 31, 2017 - Rune Kodaira Hall in Tokyo, Japan
The Sway of the Branch - first performance; February 9, 2018 - Campbell Recital Hall at Stanford University
Koto, Bass Koto II - first performance; September 9, 2017 - Public Library Chinatown branch (San Francisco)
2016
Koto, Piano II - first performance; February 12, 2017 - Old First Concert (San Francisco)
Koto, Bass Koto - first performance; February 12, 2017 -
Old First Concert (San Francisco)
Kayageum Music for 25 string kayageum solo -
first performance; February 12, 2017 - Hae Jung Lee, kayaguem
Kayageum Music for three kayageums -
first performance; November 12, 2016 -
Gyeonggi Gayageum Ensemble; KOUS (Seoul, Korea)
Koto, Piano II - first performance; February 12, 2017 - Old First Concert (San Francisco)
Koto, Violin for violin and bass koto - first performance; Terrie Baune (violin) & Shoko Hikage (bass koto); May 28, 2016; San Francisco International Arts Festival
Akhmatova’s Music for four kayageums - first performance; Gyeonggi Gayageum Ensemble; August 23, 2016 - National Center for Korean Traditional Performing Arts (Seoul, Korea)
Meadow Study (for piano solo) - Thomas Schultz, piano;
September 25, 2016; Asian Art Museum of San Francisco
2015
Hermit’s Violin for oboe, clarinet, bass clarinet, bassoon, percussion, and string orchestra with violin solo ----- first performance; October 9, 2016; San Jose Chamber Orchestra & Cynthia Baehr; Le Petit Trianon (San Jose, California)
Song of the Bear (for string ensemble with kayageum solo) ----- first performance; Sonnet Ensemble & Kyungso Park ; April 2, 2016; Dinkelspiel Auditorium (Palo Alto, California)
Fukujuso (for 3 kotos, cello, and bass koto)
Invisible Door (for violin and harpsichord) ----- first performance; Hyunjung Choi, violin; March 13, 2015; Seoul Arts Center, Korea
2014
Dark Study (for clarinet, violin, cello, piano, and percussion) ----- first performance; Seoul Modern Ensemble; June 25, 2014; Daegu Contemporary Music Festival (Korea)
Koto, Piano (for koto and piano) ----- first performance; Shoko Hikage, koto & Thomas Schultz, piano; July 4, 2014; Buam Art Hall in Seoul, Korea
After Walking (for piano solo) ----- first performance; Spring of 2015; Europe
The Sky Was Beyond Description (for one player on koto and bass koto) ----- first performance; Shoko Hikage; April 12, 2015; Old First Concerts in San Francisco
Go on Listening (for kayageum and bass koto) ----- first performance;
Narae Kwon, kayageum & Shoko Hikage, bass koto; February 9, 2014; Old First Concerts
Koto, Bass, Piano ----- first performance; Shoko Hikage, Stan Poplin,
Thomas Schultz; February 9, 2014; Old First Concerts
2013
A Little Winter Flower (for mixed choir with koto, double bass, and
piano) ----- first
performance; Ariose Singers, Shoko Hikage, Stan Poplin, Thomas Schultz;
February 9, 2014; Old First Concerts
A Little Winter Flower (for mixed choir with violin, koto, double bass)
Violin, Koto, Bass
That Old Woman (for bass koto and 25 st kayageum) ----- first
performance; Shoko Hikage, bass koto & Narae Kwon, 25 st kayageum; February 9, 2014; Old First Concerts
Dust of This World (for mixed choir) ----- first performance; Ariose
Singers; June 14, 2013; Mt. Calvary Lutheran Church;
Aptos (California)
Five Pieces on Yoshie Hikage's Poems (2012 - 2013) for koto solo
I. Fukushima Refugees
II. No More!
III. For the Wild Chrysanthemum
IV. For the Adonis
V. Missing You Husband;
first performance; Shoko Hikage;
February 2, 2013; Cabrillo College
The Debt (for mixed choir) ----- first performance; Ariose Singers;
June 14, 2013; Mt. Calvary Lutheran Church; Aptos (California
For the Adonis (for koto solo) ----- first performance; Shoko Hikage;
February 2, 2013; Cabrillo College
For the Wild Chrysanthemum (for koto solo) ----- first performance;
Shoko Hikage; February 2, 2013; Cabrillo College
2012
Fukushima Refugees (for koto solo) ----- first performance; Shoko
Hikage; February 2, 2013; Cabrillo College
No More! (for koto solo) ----- first performance; Shoko Hikage;
February 2, 2013; Cabrillo College
Missing You Husband (for koto solo) ----- first performance; Shoko
Hikage; February 2, 2013; Cabrillo College
Spring of Tears (for mixed choir) ----- first performance; Ariose
Singers; June 14, 2013; Mt. Calvary Lutheran Church; Aptos (California)
A Lesson in Music (for piri solo) ----- first performance; Yun-kyong
Jin; February 2, 2013; Cabrillo College
Echoes of Harmonious Music (for koto and kayageum) ----- first
performance; Shoko Hikage, koto & Narae Kwon, kayageum; February 2, 2013; Cabrillo College
Elaine's song (piano solo)
Near and Dear (piano solo) ----- first performance; Thomas Schultz; September 14, 2012; Bargemusic in NYC
Music for 25 String Koto ----- first performance;
Michie Kobayashi; 2013
Chrysanthemum Song (koto and 25 string kayageum) ----- first performance; Shoko Hikage, koto & Hyunyoung Choi, 25 string kayageum; March 16, 2012; Koret Auditorium, San Francisco Main Library
Fellini Dreaming (for flute, clarinet, violin, viola, cello, double bass, harp, and percussion) ----- first performance; April 28, 2012; Cabrillo College Recital Hall; New Music Works
2011
Night Procession of the Hundred Demons (version for solo koto) ----- first performance; Shoko Hikage, koto; November 12, 2011; Bukchon Changwoo Theatre in Seoul, Korea
Koto Music (version for solo koto) ----- first performance; Shoko Hikage, koto; November 12, 2011; Bukchon Changwoo Theatre in Seoul, Korea
Morning Study (for picc./flute, clarinet, violin, viola,
cello, double bass, harp, and percussion) ----- first performance; May, 2012; Southwest Chamber Music; Los Angeles
Listen While You Speak! (version for mixed choir and piano) ----- first performance; April 28, 2012; Ariose Singers; Santa Cruz
Pleasures (version for mixed choir and piano) ----- first performance; April 28, 2012; Ariose Singers; Santa Cruz
Crazy Horse (for Korean Traditional Orchestra with koto solo) ----- first performance; November 15, 2011; Traditional Orchestra at the National Theatre & Shoko Hikage, koto; Korean National Theatre, Seoul
2010
Four Books (for flute, oboe, clarinet, bass clarinet, bassoon, and horn) ----- first performance; April 14, 2011; The LeftCoast Chamber Ensemble; 142 Throckmorton Theatre in MillValley
Night Procession of the Hundred Demons (solo version) ----- first performance; January 15, 2011; Shoko Hikage, koto; Santa Cruz
Sea Wind (for piano solo) ----- first performance;
September 26, 2010; Thomas Schultz, piano;
Old First Concerts in San Francisco
Song of the Firewood (for kayageum) ----- first performance; 2010; Hyun-chae Kim
Haeguem Weaving (for haegeum and piano) ----- first performance; June 4, 2010; National Center for the Korean Traditional Performing Arts (Seoul, Korea)
Koto Ninano (for 3 kotos) ----- first performance;
March 7, 2010; Old First Concerts in San Francisco
2009
Song of One Lost in the Fog (for flute/alto flute, clarinet, violin, viola, cello, and piano with koto solo) ----- first performance; May 24, 2010; Earplay & Shoko Hikage; Herbst Theatre - San Francisco International Arts Festival
Night Procession of the Hundred Demons (version for three kotos) ----- first performance; March 7, 2010; Old First Concerts in San Francisco
Koto Music (for 3 kotos) ----- first performance; March 7, 2010; Old First Concerts in San Francisco
Kayageum Song (for voice/kayageum) ----- first performance; 2010; Hyun-chae Kim
First Light (for 2 taegeums, kayageum, komungo, and changgu) ----- first performance; June 11, 2009; NationalCenter for the Korean Traditional Performing Arts, Seoul, Korea
Sound of Ghost Eating (for taegeum, piri, haegeum, kayageum, komungo, and changgu) ----- first performance; April 30, 2009; JeongGaAkHoe; Mozart Hall (Seoul, Korea)
2008
When A Mirror Wanders The Road (for voice, taegeum, piri/changgu, haegeum, kayageum, and komungo) ----- first performance; April 30, 2009; JeongGaAkHoe; Mozart Hall (Seoul, Korea)
Not the Object Alone (for string orchestra and string quartet) ----- first performance; March 8, 2009; San Jose Chamber Orchestra and Ives String Quartet; Le Petit Trianon
Song of Poverty (for two pianos) ------ first performance; Buam Piano Society (2009)
Mad Woman’s Dance (for haegeum solo) ------ first performance; Seung-hee Lee (JeongGaAkHoe); Spring, 2009; Seoul, Korea
Night Procession of the Hundredﾠ Demons (for 3 bass kotos or any multiple of 3 bass kotos) ------ first performance; Shoko Hikage & Ryuko Mizutani & Michie Kobayashi & Kanoko Nishi & Tomoko Kaneda & Noriko Tsuboi; September 18, 2008; Hillside Club; Berkeley, California
SanFrArirang (for 4 kayageums) ------ first performance; Kyungki Kayageum Ensemble; September 11, 2008;
Seoul, Korea
A Portrait (for piano solo) ------ first performance; November, 2008; Seoul, Korea
Deserted (for clarinet, violin, piano) ------ first performance; Trio Haan; April 30, 2008; Seoul Arts Center Recital Hall, Korea
Embarking on a Journey at Sunset (for 4 kayageums); ----- first performance; Sagye (kayageum Ensemble); April 13, 2008; Old First Concerts; San Francisco
2007
Pia (piri and piano) ----- first performance; January 31, 2008; Chi-wan Park, piri & Thomas Schultz, piano; University of California, Santa Cruz
A Dream (sanjo kayageum and changgu) ----- first performance; December, 2007: Seoul, Korea
Andante (clarinet, violin, and piano) ----- first performance; August 26, 2007: sfSound; ODC Theater, San Francisco
Under the Sun (for Korean traditional orchestra) ----- first performance; October 16, 2007; National Orchestra of Korea; National Theatre, Korea
Heavy Sleep (soprano, alto flute, viola, guitar) ----- first performance; June 17, 2007: Continuum Consort; Seoul Arts Center
2006
Ten Thousand Ugly Ink Blots (for string quartet); first performance ------January 26, 2007: Ives String Quartet; Palo Alto
Chohanga 2 (for any solo melody instrument and one percussionist); first performance ------ May 22, 2006: The Barton Workshop; Bethanienklooster (Amsterdam)
Second Song of the Midnight Battlefield (clarinet, trombone, violin, viola, cello, double bass, piano, percussion, and a pansori singer) ----- first performance; October 18, 2006: The Barton Workshop; Bethanienklooster (Amsterdam)
Ninano (25 string kayageums) ----- first performance; September 27, 2006: Kyungki Kayageum Ensemble; Seong-nam ArtsCenter; Kyungki-do, Korea
Song of theﾠ Midnight Battlefield (alto flute and percussion) ----- first performance; October 18, 2006: The Barton Workshop; Bethanienklooster (Amsterdam)
All the Noises in the World (taegeum, piri, haegeum, kayageum, komungo, and changgo) ----- first performance; May 18, 2006: Korean Traditional Music Players - Jeong Ga Ak Hoe; San Francisco Asian Art Museum
2005
Li Po's Music(string orchestra, oboe, and piano solo) ----- first performance; March 12, 2006: San Jose Chamber Orchestra and Thomas Schultz; Le Petit Trianon; San Jose
Fly Away, Bird (guitar solo)
First Forgotten Sanjo (Korean traditional orchestra)
---- first performance; 2006: Seoul Traditional Orchestra
Kaethe Kollwitz (for orchestra of Korean traditional and western instruments with a pansori singer & a bass) ----- first performance; September 27, 2005; Jeonju Sori Festival (Korea)
Like the Wind in a Net (chamber orchestra) ----- first performance; September 3, 2005: Grace Philharmonic Orchestra; Sejong Hall
Fixed Stars (for string quartet) ----- first performance; October 1, 2005: Buam Arts Hall; Seoul, Korea
2004
arrangement of Jindo Arirang (for piri, shamisen, koto, and changgo) ----- first performance: Jung Il Moon, piri & Philip Flavin, shamisen & Shoko Hikage, koto & Hearan Chung, changgo; January 23, 2005: Old First Concerts, San Francisco
arrangement of Soran-bushi (for piri, shamisen, koto, and changgo) ----- first performance: Jung Il Moon, piri & Philip Flavin, shamisen & Shoko Hikage, koto & Hearan Chung, changgo; January 23, 2005: Old First Concerts, San Francisco
Chohanga (for piri solo) ----- first performance: Jung Il Moon, piri & Hearan Chung, dance; January 23, 2005: Old First Concerts, San Francisco
Song To Be Forgotten (for voice and piano)
Song of Disillusionment (for shamisen and koto/bass koto) ----- first performance: Philip Flavin and Shoko Hikage;
July 29, 2004: Asian Art Museum, San Francisco
This Rain (for viola and guitar) ----- first performance: Continuum Consort; August 18, 2004: Alix Goolden Hall at the Victoria Conservatory of Music; Victoria, British Columbia
Rain Muse (for 6 taegeums, 2 ajaengs, and 2 komungos) ----- first performance: Seoul Traditional Orchestra; June 7, 2004: Samchonggak; Seoul, Korea
Music to be Forgotten (for shamisen solo) ----- first performance: Philip Flavin; July 29, 2004: Asian Art Museum, San Francisco
2003
Walking, Walking (for piano solo) ----- first performance: Thomas Schultz, piano; May 15, 2004: Weill Recital Hall, Carnegie Hall, New York City
3 and Piano (shakuhachi, shamisen, koto, and piano) ----- first performance: Thomas Schultz (piano), Philip Flavin (shamisen), Philip Gelb (shakuhachi), Shoko Hikage (koto); November 7, 2003: Old First Concerts, San Francisco
Ocean/Shore 2 (clarinet, violin, viola, and cello) ----- first performance: Earplay; San Francisco International Arts Festival; September 8, 2003: Yerba Buena Center for the Arts; San Francisco
Tsvetaeva's Muse (taegeum, piri, male pansori singer, and percussion with saenghwang solo) ----- first performance: Hyang-hee Lee, saenghwang solo; November 19, 2003: Keumho Art Hall; Seoul, Korea
Listen While You Speak! (girls choir and piano) ----- first performance: Pueri Cantores; February 7, 2004: Taegu, Korea
Pleasures (girls choir and piano) ----- first performance: Pueri Cantores; February 7, 2004: Taegu, Korea
Regard for the Movement at the Source (haegeum and kayageum) ----- first performance: Eun-il Kang (haegeum) and Jiyoung Yi (kayageum); April 21, 2003: Buam Art Hall; Seoul, Korea
Cycle of Sixty (for string orchestra, two percussionists, and komungo solo) ----- first performance: San Jose Chamber Orchestra and Yoon Jung Hur; May 11, 2003: Le Petit Trianon in San Jose
Study War No More (for string orchestra) ----- first performance: San Jose Chamber Orchestra; May 11, 2003: Le Petit Trianon in San Jose
2002
Ocean/Shore (for chamber orchestra and piri solo) ----- first performance: Pacific Chamber Symphony and Chi-wan Park; January 16, 2003; Valley Community Church, Pleasanton, California
Sleeping Muse Study (piano solo) ----- first performance: Steven Cantor: November 10, 2002: The Flea Theater, NYC
A Woman Was Named (shamisen solo) ----- first performance; Satomi Fukami; October 13, 2002; Fukuoka Gendai Hogaku Festival, Japan
Fragmentary Study (traditional Korean orchestra and 25 string kayageum solo) ----- first performance: Seoul Traditional Orchestra: June 12, 2002; Se-jong Hall
Brancusi's Studio (flute/alto flute, oboe, clarinet, viola, cello, and two percussionists) ----- first performance: Music Now: May 6, 2002; Cal State, Sacramento
2001
Regard for the Movement at the Source (violin and kayageum) ----- first performance: May 12, 2006; Woo-kyung Art Center, KyewonJohyung Arts College (Korea)
Szymborska's Muse (taegeum and piri) ----- first performance: Chung-seung Kim and Chi-wan Park: April 19, 2002; Old First Concerts, San Francisco
Piano Study 3(piano solo) ----- first performance: Susan Svrcek; March 26, 2002; Piano Spheres, Pasadena
Empty and Full (for five kayageums) ----- first performance: September, 2002; National Center for the Korean Traditional Performing Arts, Seoul, Korea
Akhmatova's Muse (flute, oboe, taegeum, piri, and 25 string kayageum) ----- first performance: Citywinds and Contemporary Music Ensemble Korea: April 19, 2002; Old First Concerts, San Francisco
Piano Study 2 (piano solo)-----first performance: Thomas Schultz; May 4, 2001; Schoenberg Center, Vienna
Map of the Way (string orchestra, two percussionists, and piano solo) ----- first performance: Philharmonia Gaudi Vienna and Thomas Schultz; May 8, 2001; House of Music in Vienna
Everything Changes (for choir, taegeum, piri, and piano) ----- first performance: Life and Dream Singers; November 8, 2001; Seoul Art Center
2000
Chung-Ji-Hyang (taegeum, piri/saenghwang, peopgeum)-----first performance: Asian Art Museum San Francisco; February 3, 2001
While Searching for the Way (traditional Korean orchestra)-----first performance: National Orchestra of the Korean Traditional Instruments; September 29, 2000, National Center for the Korean Traditional Performing Arts, Seoul, Korea
Upon Returning from Seok-gu-ram (kayageum solo)-----first performance: Jiyoung Yi; May, 2000, National Center for the Korean Traditional Performing Arts, Seoul, Korea
Blue Yellow River (kayageum, cello, double bass)-----first performance: Jiyoung Yi, Joan Jeanrenaud, Richard Worn; March 17, 2000, Other Minds Festival, San Francisco
1999
Wooden Fish (flute/piccolo, clarinet, alto saxophone, violin, cello, double bass, percussion)-----first performance: New Music Works Ensemble; March 12, 2000, University of California, Santa Cruz
The Wind Has No Destination(kayageum solo)------first performance: Eunah Kwak; November, 1999, National Center for the Korean Traditional Performing arts, Seoul, Korea
Rain Study (piano solo)-----first performance: Thomas Schultz; April, 1999, San Francisco Publisher: Yedang Press, 2000, Seoul
Song of the Beggars II (string quartet, a-jaeng, changgo, percussion)---first performance: Kronos Quartet, Sang-won Park, Donald Kim, Thomas Schultz, Hyo-shin Na; April, 1999, San Francisco
Chichangpulgong II (kayageum, taegeum, changgo, clarinet, viola, cello)---first performance: Contemporary Music Ensemble Korea; June, 1999, National Center for the Korean Traditional Performing Arts, Seoul, Korea
1998
Song of the Beggars (string quartet)-----first performance: Kronos Quartet; January, 1999, Tucson
Verse (harp solo)-----first performance: June Han; November, 1998, Herbst Theatre, San Francisco
Line of Breath (woodwind quintet)-----first performance: Citywinds; January, 1999, Berkeley
Dirge (violin, piano)-----first performance: Phillip Levy, Thomas Schultz; January, 1998, Stanford University Recording: Phillip Levy, Thomas Schultz; Seoul Records, 1998
1997
Chichangpulgong I (kayageum solo)-----first performance: November, 1997, Seoul
Piano study I (piano solo)-----first performance: Thomas Schultz; February, 1997, Stanford University Recording: Thomas Schultz, Seoul Records, 1998
Transcription (string quartet, percussion)-----first performance: San Francisco Contemporary Music Players; April, 1998, San Francisco Recording: San Francisco Contemporary Music Players, Seoul Records, 1998
1994
94.I (clarinet, piano)-----first performance: Chang-hee Lee, Kyung-ok Kim; November, 1994, Seoul
1990
Variations (piano solo)-----first performance: Thomas Schultz, 1990, Oakland. Recordings: Thomas Schultz, Seoul Records, 1998 Yuji Takahashi, Fontec; 1999 Publisher: Eumakiron Press; Seoul, Korea, 1991
1988
The Music (two pianos)---first performance: Thomas Schultz, Hyo-shin Na; February, 1988, Boulder
The Music (orchestra)-----first performance: The Women’s Philharmonic; 1990, San Francisco
The Music (viola, guitar)-----first performance: Douglas Hensley, John Casten; Oakland
1987
Lament (clarinet, bass clarinet, harp)-----first performance: University of Colorado New Music Ensemble; November, 1987, Boulder
November Mountain (clarinet, piano)-----first performance: Sandy Craddock, Thomas Schultz; November, 1987, Denver. Publisher: Red House Edition; Melbourne, Australia, 1995
1986
Coexistence (soprano, baritone, clarinet, harp, two pianos, percussion)-----first performance: University of Colorado New Music Ensemble, 1986, Boulder
1984
Poem of April (harp solo)-----first performance: Rana Park; Manhattan School of Music, 1985 recording: Rana Park, Seoul Records; 1998
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